Festsaal Kreuzberg

Ami Warning

11 March
20:00
—
Tickets

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Am Flutgraben 2, 12435 Berlin, Berlin

Ami Warning is playing several festival shows again in 2026, it has never been about delivering the perfect glittering pop show, but much more about the authenticity and the edges that Ami and her band bring across from the very first note and that they immediately feel as a listener. When slow hip-hop grooves start and Ami starts singing, it's immediately clear that you recognize this voice among thousands, sometimes scratchy and imperfect, then deep and gentle again. Ami Warninghas grown up with music, even as a child she often attended both her father's concerts and now she has been writing her own songs for over 10 years and has already appeared on various stages. (support Milky Chance, Annenmaykatereit, Suzanne Vega, collaborations with the Goethe Institute in France, Norway, Canada and New York)

About the event

Ami Warning is playing several festival shows again in 2026, it has never been about delivering the perfect glittering pop show, but much more about the authenticity and the edges that Ami and her band bring across from the very first note and that they immediately feel as a listener. When slow hip-hop grooves start and Ami starts singing, it's immediately clear that you recognize this voice among thousands, sometimes scratchy and imperfect, then deep and gentle again. Ami Warninghas grown up with music, even as a child she often attended both her father's concerts and now she has been writing her own songs for over 10 years and has already appeared on various stages. (support Milky Chance, Annenmaykatereit, Suzanne Vega, collaborations with the Goethe Institute in France, Norway, Canada and New York)

Her songs are about moments that everyone has experienced in one way or another and which, thanks to Amisunge-filtered honesty, sometimes make you cry and then start dancing again. In terms of genre, Ami's music is a lot. You might be able to classify them somewhere between JackJohnson, the female Henning May and Tracy Chapman, even though drawers are actually superfluous. In order to be able to get a real picture, you have to have seen it, nothing is over-rehearsed, everything feels natural.

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