Anais

Golden sunbeams on flawless complexion, red lips on cold drinks, flirtations with Crush and Goodbye in the lobby: Anaïs provides the soundtrack for the time of our lives. She effortlessly dresses up big feelings and small moments in lyrics and harmonics — and sounds as smooth as velvet by the sea. Her music follows her charm, between classy and casual, indie and urban, jet set and homesickness. Between all of this, Anaïs creates her own category. This will become clear as soon as she easily sprinkles a few cheesy jokes into the crowd on stage between her performances — and, given her warm nature, her hearts melt as quickly as pistachio ice cream in midsummer.

Anaïs' sound is varied: from organic mellotron samples and dreamy guitar riffs to boomy basslines and bouncy backbeats. But as soon as their vocal harmonics seep through the tapestry of sound into the auditoriums, it is clear where the journey is heading: Riviera, Berlin, Paris, in cities of love and longing for the sea. Her music is multi-faceted but engaging, touching and memorable. Anaïs has no fear of pop, indie, hip hop. She stands above things, hovers above melodies, always self-confident and mistress of position, in image and sound. She loves designing her videos, her visual identity, her career herself.

Everything goes fast from the start: Anaïs writes and releases her first song in 2021, in the midst of her studies, is discovered, secures her first label deal, then first studio sessions, followed by further releases. Then appearances as a support act for Cro, Nina Chuba, Giant Rooks, Provinz, features with Bruckner, oddworld, Dominik Hartz, MAJAN and many more. She writes in French, English and German, weaving language wit and depth multilingually between the lines. In doing so, it meets the feelings and thoughts of a young international audience, between girls and boys, studies and career, departure and homesickness.

Anaïs makes indie pop with soul and optimism for wild hearts that celebrate themselves and life, with all ups and downs, without a guilty conscience. This is our movie, our screen. Time for Dolce Vita vibes and big city feelings, femininity and empowerment. She loves life, lives hedonism, but also leaves their place for difficult topics until they become easy and disappear into thin air in silk toplines on summery beats. And we, release after release on clouds, wrapped in smooth continuous loops, always discover something new between her lines. For example, ourselves — during the flowering period of our lives.