Klaus Mäkelä and Yunchan Lim
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In his still young career, the South Korean pianist Yunchan Lim repeatedly impressed with the interpretation of Sergei Rachmaninov's Fourth Piano Concerto — because he elicits an unusual wealth of expressive nuances from this epic, excessive work. On the occasion of his debut with the Berliner Philharmoniker, he plays the piece under the direction of Klaus Mäkelä. He also conducts Jean Sibelius' last completed symphony: a dark, archaic work that — according to Mäkelä — is “held together by a big breath.” It starts with a new work by Thomas Larcher, one of Austria's most important composers.
staffing
Berliner Philharmoniker Klaus Mäkelä conductor Yunchan Lim piano
programme
Thomas LarcherNew work (German premiere), commissioned by the Berliner Philharmoniker Foundation, the Orchestre de Paris, the Chicago Symphony Orchestra and the Concertgebouw Orchestra
recess
Sergei Rachmaninoff Concerto for Piano and Orchestra No. 4 in G minor op. 40
Yunchan Lim piano
Jean SibeliusSymphony No. 7 in C major op. 105
service information
Duration approx. 2 hours (including a 20-minute break)
Berliner Philharmoniker Klaus Mäkelä conductor Yunchan Lim piano
Program: Thomas Larcher New Work (German Premiere), commissioned by the Berliner Philharmoniker Foundation, the Orchestre de Paris, the Chicago Symphony Orchestra and the Concertgebouw Orchestra Pause Sergei Rachmaninov Concerto for Piano and Orchestra No. 4 in G minor op. 40 Yunchan Lim Piano Jean Sibelius Symphony No. 7 in C major op. 105
Philharmonie Berlin
Berlin Philharmonic Orchestra, Klaus Mäkelä, Yunchan Lim
Tickets
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In his still young career, South Korean pianist Yunchan Lim repeatedly impressed with the interpretation of Sergei Rachmaninov's Fourth Piano Concerto — because he elicits an unusual wealth of expressive nuances from this epic, excessive work. On the occasion of his debut with the Berliner Philharmoniker, he plays the piece under the direction of Klaus Mäkelä. He also conducts Jean Sibelius' last completed symphony: a dark, archaic work that — according to Mäkelä — is “held together by a big breath.” It starts with a new work by Thomas Larcher, one of Austria's most important composers.
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