Russian Modernism with Christian Tetzlaff and Paavo Järvi
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“Listen within and give yourself time”: With this attitude, violinist Christian Tetzlaff embarks on the interpretation of Dmitri Shostakovich's Second Violin Concerto. The work is a fascinating example of the composer's late style: the dialogue between orchestra and violin develops delicately before both tumble into an expressive dance finale. Sergei Prokofiev's Fifth Symphony contrasts with this contemplative work. Composed as a “Hymn to Free and Happy People,” it unfolds the full orchestral sound — from the majestic beginning to the motorized, ecstatic finale. Paavo Järvi conducts.
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Berliner Philharmoniker Paavo Järvi conductor Christian Tetzlaff violin
programme
Arvo PärtSilhouette
Dmitri Shostakovich Concerto for violin and orchestra No. 2 in C-sharp minor op. 129
Christian Tetzlaff violin
recess
Sergei ProkofievSymphony No. 5 in B-flat major op. 100
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Duration approx. 2 hours (including a 20-minute break)
Berliner Philharmoniker Paavo Järvi conductor Christian Tetzlaff violin
Program: Arvo Pärt Silhouette Dmitri Shostakovich Concerto for Violin and Orchestra No. 2 in C-sharp minor op. 129 Christian Tetzlaff Violin Break Sergei Prokofiev Symphony No. 5 in B-flat major op. 100
Philharmonie Berlin
Berliner Philharmoniker, Paavo Järvi, Christian Tetzlaff
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“Listen within and give yourself time”: With this attitude, violinist Christian Tetzlaff embarks on the interpretation of Dmitri Shostakovich's Second Violin Concerto. The work is a fascinating example of the composer's late style: the dialogue between orchestra and violin develops delicately before both tumble into an expressive dance finale. Sergei Prokofiev's Fifth Symphony contrasts with this contemplative work. Composed as a “Hymn to Free and Happy People,” it unfolds the full orchestral sound — from the majestic beginning to the motorized, ecstatic finale. Paavo Järvi conducts.
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