Membering invites the audience to a collective practice of repairing. Together with the performers, visitors gather around fragments, memories, and inherited stories, moving through acts of restoration, therapy and archiving — as choreographies for living with what remains.
Based on a personal family history marked by war, fascist violence and loss, Dragana Bulut explores social choreographies of grief and repair. Choreography becomes a way of tracing how grief moves through bodies, generations and collective memory over time — and how events that we have not experienced ourselves can still become part of what we carry within us. Membering is therefore not a performance about overcoming grief, but an invitation to ask how we can support it together.
Sophiensæle
Dragana Bulut: Membering
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Membering invites the audience to a collective practice of repairing. Together with the performers, visitors gather around fragments, memories, and inherited stories, moving through acts of restoration, therapy and archiving — as choreographies for living with what remains.
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