Kino Muranów

Bitter Christmas

27 Aug — 2 Sep 2026
11:15
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ul. Gen. Władysława Andersa 1, Warszawa

Pedro Almodóvar returns in top form with one of his most personal films. In “Bitter Christmas” - his first Spanish-language production in 5 years - there is everything that viewers love his cinema for: passion, intense colors, perverse humor and full-blooded characters that escape simple schemes. Actors and actresses known from the director's previous films appear on the screen: Bárbara Lennie, Leonardo Sbaraglia, Victoria Luengo, Aitana Sánchez-Gijón, Milena Smit and one of Almodóvar's most important muses — Rossy de Palma.

About the event

Pedro Almodóvar returns in top form with one of his most personal films. In “Bitter Christmas” - his first Spanish-language production in 5 years - there is everything that viewers love his cinema for: passion, intense colors, perverse humor and full-blooded characters that escape simple schemes. Actors and actresses known from the director's previous films appear on the screen: Bárbara Lennie, Leonardo Sbaraglia, Victoria Luengo, Aitana Sánchez-Gijón, Milena Smit and one of Almodóvar's most important muses — Rossy de Palma.

The protagonist of the film is forty-year-old Elza (Bárbara Lennie), who, after the death of her mother, throws herself into the whirlpool of work, not allowing herself to mourn. Only a panic attack forces her to stop and go on a journey that will become a confrontation with the past, lost relationships and unfulfilled desires. From chance encounters, emotional phrases and intertwining biographies, Almodóvar weaves a story about how memory, fiction and desire constantly rewrite our lives.

“Bitter Christmas” is a special gift for those who grew up with the cinema of the Spanish master - from “Women on the Verge of a Nervous Breakdown”, through “All About My Mother” and “Talk to Her”, to “Volver”, “Interrupted Embraces” and “Pain and Radiance”. It is also a film that goes one step further: it shows even more strongly that each of us not only lives our own story, but also tells it endlessly to ourselves. Almodóvar makes a moving confession of faith in the power of cinema, memory and narrative.

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