HOT

The disaster will not be a spectacular finale.

This is the foreplay that has begun: it warms up slowly, trembles, swells, seduces. Time and space stretch in an unbearable pulse, and you still have to wear out a little. Lose control. Transform into another character or you won't survive. A long way to climax.

The world passed the critical temperature, and the surviving remnants of life unraveled into shreds, impulses and tensions. Living matter is stuck in an incessant process of sculpting itself into humans. Bodies seek to discover the movement that will allow them to bear countless changes and constant disasters. It is in them that the end accumulates.

The embodied apocalypse fuels the fire, leads to decay, but does not allow to die. In the ruins you can hear the murmur of debris and the will to fight, which fills the world with the dust of ancient rituals and artifacts of past orders. From a distance, one can hear arias penetrating the acute emptiness like the sound of a fierce, charred record. The fun of catching up continues. Desire and destruction merge into one, and the living, sensual and alluring, absorbs itself. Beauty rots to delight again. And that which seduces, carries destruction.

Physical exploration of exhausted bodies, burning slowly, little by little, slowly.

A world in which one dies endlessly — the paradoxical beauty of chaos.

The modern body is the body of the future.

A story of memory that does not yet exist.

choreography, concept: Stanisław Bulder

creation, performance: Ewa Noras, Katarzyna Koziorz, Anna Banasik, Agnieszka Brzezińska, Artur Grabarczyk, Michał Przybyla, Stanisław Bulder

dramaturgy: Krysia Bednarek

set design: Magda Wolak

music: acheless, hoela$

light: Klaudia Kasperska

costumes: Kamil Wesołowski

producer supervision: Beata Miernik

Photos & Trailer: Zuza Czaplak

logo: Maria Łozińska

poster: Kasia Mazur

The production of the performance is the National Choreographic Centre in Lublin — an institution co-led by the Ministry of Culture and National Heritage.

The presentation of the performance in the KTO Theatre is co-financed by the Ministry of Culture and National Heritage as part of the Programme Spaces of Art — Dance, implemented by the National Institute of Music and Dance.