Ireneusz Krosny “Body Language”

Ireneusz Krosny creates original, pantomime, comedy performances. The power of his art comes from two sources. First, it's creativity — your own original sense of humor. The second source is the original own style. Krosny developed the original technique of moving mime in a comedy game. His technique is as transparent as the diction of an actor - it makes every movement understandable, but does not draw attention to itself, gives the viewer a sense of ease in the work of the mime on stage. Lozny does not apply makeup, in particular, does not use face whitening. She always appears in a black, neutral costume. The Chicago Reader, justifying the award to Ireneusz Krosny, wrote: “Fresh, funny, irresistible.”

Extended:) He is one of the three artists from Poland who received the prestigious Critics Award in Chicago - The Critic's Choice. This is a prize for theatres, because Krosny is a theatre and, in addition, its art is understandable to any audience, regardless of age, interests, language or even culture, without an interpreter. Mim, who created his own original pantomime technique, in which the actor does not play in a symbolic way, but in a direct way, thereby becoming closer to the viewer, who is easier to follow the content of the performance. Krosny does not play on the course (his movement does not start from the diaphragm), which makes his way of moving on the stage more natural and at the same time more comedic. Here we are, another completely new - an author's play by Ireneusz Krosny composed of completely new pantomime etudes. These etudes take “real life” scenes in an ironic or humorous way.

Ireneusz Krosny creates original, pantomime, comedy performances. The power of his art comes from two sources. First, it's creativity — your own original sense of humor. The second source is the original own style. Krosny developed the original technique of moving mime in a comedy game. His technique is as transparent as the diction of an actor - it makes every movement understandable, but does not draw attention to itself, gives the viewer a sense of ease in the work of the mime on stage. Lozny does not apply makeup, in particular, does not use face whitening. She always appears in a black, neutral costume. The Chicago Reader, justifying the award to Ireneusz Krosny, wrote: “Fresh, funny, irresistible.” BODY LANGUAGE is the latest and by far the most original premiere in the work of Ireneusz Krosny. For the first time, the program consists of two completely different parts. In addition to, as usual, guaranteed fun with brand new pantomime scenes, we also have the opportunity to learn different secrets of mime — how it happens that someone walks in a place, why we see objects that are not really there, etc. Besides, we can learn a lot about what our own bodies say in everyday life (and even how the body can positively influence our own well-being).