Symphonic concert: Alexevich | Piyarovsky

The Prometheus Works of 1801 is Ludwig van Beethoven's only full-length ballet work. The composition was created at a time when the work of the Viennese increasingly clearly went beyond the framework of classicism. The ballet refers to the myth of Prometheus, who revives two beings he created and leads them to the knowledge of art and reason. The overture abandons the literal illustration of the action in favor of the energy and dramatic potential of the orchestra. The majestic introduction gives way to the dynamic Allegro, whose rhythmic clarity and contrasts foreshadow the mature style of Beethoven. The themes of the ballet became the inspiration for the finale of the 3rd Symphony “Eroica”. The overture shows the artist remaining within the classical form, but seeking greater tension and individualization of the material.

The Piano Concerto I in C major, Op. 15 is one of Beethoven's earliest major works, composed during his Viennese activity as a pianist and improviser. Despite the lower opus number, it is the second of the surviving piano concertos — the earlier Concerto in B major was later released as Op. 19. The work draws on the patterns of Haydn and Mozart, but already reveals the individual language of the young composer. The piano conducts a lively dialogue with the orchestra, and the extended cadence becomes not only a technical show, but also a space for the development of the material. The singing Largo contrasts with the final roundabout with a dance character. Beethoven retains the elegance of the classical concerto, giving the piano the role of an equal partner of the orchestra.

Symphony No. 1 in C major, Op. 21, completed in 1800, combines a familiarity with the classical tradition with a bold transformation of its principles. The very beginning surprises with an unusual harmony: instead of immediately establishing in C major, Beethoven leads the listener through successive chords. The first part develops thanks to the motivational energy, the Adagio molto brings a sonorous narration, and the Menuetto with its dynamism foreshadows the later scherza. The finale grows out of the short gesture of the strings and leads to a full energy ending. The symphony reveals the foundation of Beethoven's future style: the ability to build a vast narrative from small motifs.

The compilation of these works reveals the different faces of the young Beethoven — a creator of stage, concert and symphonic music, who increasingly boldly crossed the boundaries of classicism.