Feed the Ravens | repremiera 4K

TypeHall 1 - Cinema

Hour

06.12

|

Jan 18 |

07.12

January 20 |

A new 4K restored version of one of the greatest masterpieces of Spanish cinema on the occasion of the 50th anniversary of its premier.There was a little girl in a red golf who lived in a big house with her two sisters, an aunt and a grandmother. And although every day she played with dolls, danced and ran in the garden, when she went to bed in the evening, her room became a magical space where she could see her mother again...

Language: Spanish with Polish subtitlesKarmić KRUKI, dir. Carlos Saura, Spain 1976, 110' --For whom: youth, adults

Venue: Sala 1 - Kinowa

tickets: 22 zł (n), 19 zł (u), 17 zł (with Kinomana Card)

-- [Color photo. The portrait of a woman and a little girl, both with dark hair and fair complexions, are similar to each other.]

In its final 50 years, Feeding the Ravens by master Carlos Saura is a film full of fairytale—not only for its enduring charm, but also for its mystery and darkness. The world we see is full of amazing objects and tightly fenced off from reality, although sometimes the women who inhabit it reach everyday anxiety. Bathed in a green glow that foreshadows the autumn aura, the film evokes associations with another story about memory, memories and the power of childhood imagination — Céline Sciamma's Little Mom.This as fleeting as it is disturbing story about 8-year-old Anna (the unforgettable Ana Torrent), who one summer faces emotions towards her beloved mother (hypnotic Geraldine Chaplin) is one of the most beautiful Spanish films of all time. Fusing children's imagination with local history, the film is both a poignant portrait of childhood and a diagnosis of a nation from years under the dictatorship of General Franco. “And because they are leaving” - as Jeannette's boomerang-like song indicates - and the years of youth, and despotic rule, the imprint of them has been preserved forever as a cinematic memory.The 4K restored version was made in 2026 and shown for the first time in the Cannes Classics section at this year's Cannes Film Festival.