Vocal and piano recital

Kira Boreczko-Dal — soprano
Robert Marat — piano

program
Isaac Albeniz (1860—1909)
Asturias
4 Sephardic songs in the compilation by K. G. Morante: Morena me llama,
Avrix me galanica, Sleep, sleep beautiful son, A hint of rough
Franz Liszt (1811—1886)
Sermon of St. Francis of Assisi to the Birds
Hector Berlioz (1803—1869)
Villanelle and Au cementère from the cycle of songs Les nuit d'été
Henryk Melcer-Szczawinski (1869—1928)
Paraphrase of Stanisław Moniuszko Prząśniczka
George Gershwin (1898—1937)
Summertime from the opera Porgy and Bess
Luiz Bonfa (1922—2001)
Manhã de Carnaval from the music for the film Black Orpheus

Kira Boreczko — a graduate of the Academy of Music in Gdańsk, where she obtained a diploma with honors in 1993 as a coloratura soprano. He owes the development of his talent to two experienced pedagogues — H. Słonicka and H. Mickiewiczówna. She has repeatedly participated in vocal courses. A breakthrough event for her became a meeting with Jessica Cash.
She made her debut on the stage of the Teatr Wielki in Warsaw in the title part in the opera Dafne Marco da Gagliano. She has collaborated with many Polish and foreign early music ensembles — Il Tempo, Concerto Polacco, Bornus Consort, Ars Nova, Camerata Cracovia, Philidore, Fiori Musicali, Cantus Firmus, Capella Savaria, Musica Florea, Capella Regia Musicalis, Capella Augustana — and with Polish philharmonies.
She has made numerous radio and phonographic recordings. In 1993 she represented Polish Radio at the Musicora International Music Fair in Paris, and in November 1993 she took part in a concert on the occasion of the 350th anniversary of the death of C. Monteverdi, broadcast by the largest radio stations. In 1995 she participated with Il Tempo and violinist Simon Standage in the EBU Summer Music Festival in Warsaw.
He specializes in interpretations of Baroque music, early classicism and Mozart operas.
Kira Boreczko also has experience with jazz music. In Guadeloupe (overseas department of France) she undertook permanent cooperation with D. Reimonenq, R. Winter, Guy Herbert, Dimitri Edouard.
She also carried out pedagogical activities in Poland and Guadeloupe. Recently she worked as a choir teacher in the State Song and Dance Ensemble “Mazowsze”.

Robert Marat — pianist and pedagogue, professor at the Grażyna Bacewicz Academy of Music, where he conducts a piano class. A student of music schools in Białystok, which he graduated under the supervision of Helena Frankiewicz (student of Aleksander Michałowski). He obtained his piano diploma at the Academy of Music in Katowice in the class of Prof. Andrzej Jasiński (1988). He also studied chamber music under Prof. Maria Szwajger-Kułakowska, as well as organ and harpsichord.
He is a laureate of piano competitions (including Karol Szymanowski in Łódź) and numerous awards in the field of chamber music. He taught piano class at the Instrumental and Pedagogical Faculty of the Fryderyk Chopin Academy in Bialystok (2002—2007). As a chamber musician he collaborated with the Mozarteum in Salzburg.
He is active as a pianist, performing with symphony orchestras and solo recitals at home and abroad. As a chamber musician in song recitals, he accompanied eminent singers: Henryka Januszewska, Iwona Hoss, Urszula Kryger, Kałudi Kałudov.
He performed at prestigious festivals such as “Warsaw Autumn”, “Salzburger Festspiele”. He has made many recordings for Polish Radio and Television and on CDs. For the Selene label, he recorded for the first time in the history of phonography works by Raul Koczalski and Aleksander Michałowski, which appeared in the series “The Great Chopin Tradition”.

It was realized under the scholarship of the President of the City of Białystok.