Son, mother and father sit at the table and are silent for a long time

Imagine that the state asks you what you will do when disaster strikes. And then imagine that the greatest disaster happened much earlier - at the family table.

In the drama of Ivor Martinić, one question in a form prepared for a crisis is enough to trigger an avalanche of memories, grievances and silences. The characters return to the same gestures, the same stories and family roles, as if repeating them could stop the disintegration of the world they had built over the years.

Victoria Dulak's play does not seek guilty or simple answers. Rather, it asks about the price of security and why we so often prefer to believe that we had no choice. Because perhaps true freedom begins only when we stop telling our own lives as the story of other people's decisions. And the greatest courage is not to prepare for disaster, but to accept responsibility for what happened long before it came.