ZERO SEVEN

The play by Agata Puszcz and Jarosław Murawski does not reproduce a specific episode of the cult crime novel. He brings to the stage the whole myth of the Lieutenant: chases, interrogations, romances, militia charm and that strange nostalgia for a world where luxury had the smell of the Sudety Hotel and a fast car managed to impress, even if it was a polonaise. This is a theatrical play with the legend of the Polish James Bond. This is a performance for those who like theater with pace, humor and clear play with television memories. You can come from a feeling for the show or out of curiosity about what we will read about the old hero when we look at him today. Because the Lieutenant is still acting on his imagination, but no longer necessarily on his own terms. Women cease to be the adornment of the investigation, male sex appeal is put to the test, and self-confidence begins to work against the heroes. There is a case to be solved, there are shots and suspicious leads. The most interesting question, however, will be who really deals the cards here.

Lieutenant's coming back. He has the look of a man who always knows better and a retort that falls faster than a shot from a pistol.

/the title was chosen by the audience of the Theatre as the second to be implemented in the open vote of SZANIAWSKI'S PRIMARY ELECTION, after DRACULA directed by Zdenka Pszczołowska